A Thorough Guide to The Row Crossbody and Small Bags

The most compact pieces offer the easiest reading of the design reasoning, although The Row is best known for big, quiet leather carriers. A small format offers no cover: on a crossbody or a clutch the proportions must be correct, the closure must shut cleanly, and the leather has to hold the object on its own. Below is a row bags overview of the small end of the collection, covering crossbody styles, compact shoulder bags, pouches and clutches. Every number here is an observed 2026 market price, captured in September of that year rather than lifted from an official price list, because the brand issues none. Where the brand’s own product page confirms a piece as Made in Italy, that is noted here rather than taken on trust. Only bags are covered, and ready-to-wear and footwear are deliberately set outside the frame.

What Counts as a Small Bag in This Line

The Row bags show no exterior logo plaque and no monogram print, which leaves silhouette, proportion and construction to do all the work. You will find a discreet exterior stamp low on the side, blending into the leather, plus a second stamp inside. Hardware is palladium-plated in a matte or brushed finish, reading as weight and precision rather than shine. the row bags Where other houses print logo jacquard, the linings here are luxury materials in their own right — nappa, lambskin, calfskin and cotton herringbone. On a large tote those decisions are easy to overlook; on a clutch the size of a paperback they are the whole design. Which is why the small pieces offer the clearest introduction to how the label handles leather.

• No exterior plaques, branded hardware or monogram print
• Identification rests on silhouette, proportion and construction
• A single discreet exterior stamp, plus one within
• Palladium-plated hardware, matte or brushed
• Nappa, lambskin, calfskin or cotton herringbone linings

The Crossbody Bags

Crossbody styles are the collection’s most practical corner, and observed 2026 prices place them among the most accessible pieces too. The group runs roughly $1,290 to $2,550, placing its floor below almost every top-handle style the brand makes. Orientation prefixes are the house naming convention, so N/S and E/W divide upright versions from wide ones within the same idea. The Park family sits partly inside this group, since it consists of the N/S Park Tote, the Park Tote, the Park Tote Three, the XL Park Tote and the N/S Park Crossbody. Expect calfskin in smooth, grained and saddle finishes, with palladium-plated fittings across the board. None of them carry visible branding, and that is why they are bought as daily bags rather than occasion pieces.

The N/S Park Crossbody and the Rene Crossbody

The N/S Park Crossbody was observed at $1,290, which makes it the smallest entry into the Park family short of buying a tote. It keeps the family’s flat, unstructured logic, scaled down to something worn against the body instead of carried in the hand. Owners of a The Row tote bag from that line will recognise the very same construction language scaled to a fraction of the volume. Observed at $1,350, the Rene Crossbody stands a step above. Each falls within the roughly $590 to $1,500 entry band the collection maintains at its lowest end. For a first row bag, this pair is where the smallest outlay coincides with the fullest expression of the house style.

Izzy, Annie, Large Slouchy Banana

Several orientations of the Izzy are made — the E/W Izzy observed at $2,300, the N/S Izzy at $2,490, plus a Small Izzy shoulder version at $2,100. Between the entry crossbodies and the Izzy group lies the N/S Annie Crossbody, observed at $1,950. The Large Slouchy Banana was observed at $2,550, and the brand’s own product page states it as Made in Italy. When checked, the page listed waitlist availability rather than open stock, a familiar state of affairs for the label. Together the three lines cover the top half of the crossbody range, with a noticeable rise in structure and leather weight. Cross-shopping usually sets them against small shoulder bags rather than against one another.

The Compact Shoulder Bags: Half Moon and the 90’s Bag

Half of the four signature models exist at this small scale, a fair measure of how seriously the label treats the format. The Half Moon was observed at $1,390, with a leather variant seen at $1,690 at a stockist, and it is confirmed Made in Italy. On the official reading the dimensions are 8 x 13.5 x 2.5 inches, though sources do not agree on the exact figures, which makes it the official reading rather than a settled measurement. The 90’s Bag was observed at $1,090 and is the least expensive of the four signatures, with a 90’s Shoulder version at $1,450. Both rely on curve and drape rather than hardware for their identity. The two of them amount to the cheapest honest entry into the top row bags on silhouette rather than category.

Evening Pieces, Clutches and Pouches

The clutch group is where construction detail shows most, and the Bourse Clutch makes the clearest case. Observed at $1,590 and confirmed Made in Italy, it combines a calfskin exterior with a nappa lining, a hinged frame closure, a hidden adjustable shoulder strap and dimensions of 10.2 x 6.5 x 2.3 inches. Further up, the Peggy Clutch was observed at $2,900 and the Dalia Baguette at $2,700; the Squared Compact Clutch came in level with the Half Moon at $1,390. Evening formats reach further, the CC Minaudiere at $2,780 and the Long CC Minaudiere at $3,800. Terrasse To-Go, observed at $1,950, is another Made in Italy piece straddling clutch and small bag. Under everything else sit the pouches and small leather goods, with the Ray Pouch at $950 and $1,100, the Travel Pouch at $990, Sally at $1,000, the Cecily Mini Tote at $950, the Mini Barn Tote at $1,200 and the Double Travel Wallet at $590.

Observed 2026 Market Prices at a Glance

The table collects the figures above into a single view for comparison. Every number is an observed 2026 market price, not a published official price list, and the brand issues none. Retailer prices can diverge from the brand’s own site, and currency, season and stock all move the figure. Two prices in a row signal either two versions or two sizes observed at the same time. Read it as a snapshot of where each piece sat relative to the others, not as a quotation. What has stayed stable over time is the ordering, not the absolute numbers.

Resale Behaviour of the Small Bags

Resale figures describe observed market behaviour rather than investment advice, so take them as context rather than a reason to buy. The Rebag CLAIR 2025 report put the label at 97% value retention at brand level, carrying it into the report’s unicorn tier of 85% and above for the first time, behind only Telfar, Hermes and Goyard. The Half Moon shoulder was recorded at 106% retention in that report. For comparison across formats, the same report put the N/S Park Tote at 146% and the Margaux Tote at 107%. In a separate reading, the 90’s Bag is the riser of the group: eBay search volume was reported up around 55% year over year as of April 2025. Not everything behaves this way — canvas, nylon, sisal and seasonal colours discount on the secondary market, while the strength sits in black and neutral calfskin in the signature silhouettes.

Keeping One

No brand-issued care protocol exists, so what follows is material-appropriate general guidance. Do not overfill a small bag, since the shape does the identifying work and a stretched gusset undoes it. Store it away from direct sunlight, heat and rain, in its dust bag and lightly stuffed so the form survives. Calfskin and grained finishes respond well to buffing with a soft dry cloth, and neutral conditioner should be used sparingly. Since nappa and lambskin mark easily, use a dry cloth and stay away from over-conditioning. On suede, a suede brush and nothing else: no cream, no wet wipes, no soap, no water-based cleaner, while raffia, canvas and silk or satin versions spot-clean but are the least serviceable of all.